On today's Artpod, we head back to school.
When "Einstein on the Beach" opens in Ann Arbor this Friday, Jan. 20, it'll be the first time the opera has been performed in 20 years. But be warned: this isn’t your typical opera.
So what’s the big deal about Einstein on the beach? Well, to find out about 50 of us showed up at the Ann Arbor Public Library on a Monday night for a little tutorial, hosted by the University Musical Society, the group presenting the opera in Ann arbor.
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Einstein on the Beach 101
It was first produced in France in 1976, and until now has only been performed in Europe and on the east coast.
Robert Wilson directed Einstein on the Beach, with music by Philip Glass. Both men are involved in this revival, and since they’re in their 70s now, this is probably the last tour they’ll do as a team.
It's widely hailed as being "one of the greatest artistic achievements of the 20th century," according to the University Musical Society.
What Einstein on the Beach isn't
A list of things the opera is not, according to Mark Clague, a musicologist at the University of Michigan School of Music, Theatre and Dance:
- It's not Verdi
- It's not "Oklahoma!"
- It doesn't have a narrative or story in the typical sense
- There's no intermission in the nearly 5-hour long work
Clague says, because there's no intermission, audience members can "walk out, get a beer, come back in when you can deal with it."
A train, a bus, and a trial
Clague says the opera has some traditional trappings, too: a set, costumes, an incredibly intricate lighting design. There are singers, some people recite poems, and a violinist who plays his instrument dressed as Einstein.
Clague says the opera opens with a train, and ends with a bus. In between there are scenes about train travel, trials, sleeping, brushing your teeth.
As for what it all means - or doesn't mean - that’s up to you.
Einstein on the Beach runs Friday, Jan. 20 - Sunday, Jan. 22 at the Power Center in Ann Arbor. The show then goes to France for a world tour.
