
Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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The recording made at NYC's Village Gate during the summer of 1961, when the John Coltrane quartet was joined by Eric Dolphy, was thought lost until it was discovered in the New York Public Library.
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On their debut album, the improvisational supergroup — singer Arooj Aftab, pianist Vijay Iyer and bassist Shahzad Ismaily — try to answer a musical riddle: What does listening sound like?
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Don't be shocked by the 23-year-old jazz singer's breakneck rise from precocious college student to best new artist Grammy nominee. In those few years, she's been building three careers at once.
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Don't be shocked by the 23-year-old jazz singer's breakneck rise from precocious college student to best new artist Grammy nominee. In those few years, she's been building three careers at once.
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At this year's awards on Sunday night, Beyoncé could become the artist with the most Grammys ever. She could also go down in history as the most snubbed.
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After a year defined by emergence and creative combination, our critics zoom in on their own listening to choose one inescapable album and song each.
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A new documentary explores Armstrong's experience as a Black American musician coming of age right along with the 20th century.
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Hard to define, for one thing. But in our disorienting digital age, these image-savvy, genre-fluid, proficient yet irreverent artists can seem like the only ones who've gleefully cracked the code.
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Sanders, revered as one of the avant-garde's greatest tenor saxophonists, was a member of John Coltrane's final quartet. His expressive playing laid a path for generations of musicians.
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DeFrancesco played in Miles Davis's band as a teenager, brought the sound of the Hammond B-3 organ roaring back to the jazz mainstream in the 1990s and remained the instrument's most visible champion.