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In today’s episode, a University of Michigan professor discusses the ways that social media has come to be viewed and debated.
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Today, the Lions' hard-to-believe streak. Then, how social media amplifies existing issues. Later, how faith groups can influence politics.
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What the Project 2025 playbook might look like for Michigan during a second Trump term. Then, a beautifully illustrated 60-year-old children’s book written by a nonagenarian Beaver Island resident publishes for the first time. And, things to keep in mind for yourself and children while summertime doom scrolling on your phone.
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In light of the surgeon general's warning about social media use, Jenny Radesky, a pediatrician at Mott's Children's Hospital, weighs in on the effect unmitigated media use can have on young children. She also talks about how to differentiate healthy and unhealthy media usage.
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Bridge Michigan provides voters with a new resource page to assist in answering voter questions about candidates and campaigns. Also, the effects of digital media exposure and habits amongst young children and adolescents. Plus, a collaboration with one of our favorite Detroit podcasters, Michaela Ayers.
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The beginning of James Crumbley's trial, translating Arabic poems as a therapeutic exercise, and strategies for reducing vaccine hesitancy on social media.
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What can AI tell us by using X (formerly Twitter) about public opinions on climate change?
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A look into support for Trump in northern Michigan, a conversation on winter birding, a new climate change study using AI and social media to determine American attitudes toward climate change.
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Autonomous Sensory Meridian Response better known as ASMR can get a bad rep. Noodle slurping. Lip smacking. Whispery breaths. This is not the kind of ASMR that Metro Detroiter Olivia White makes. Think more along the lines of acrylic nails, glass clinking, the stroke of an eyeshadow brush.
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Reaction among Michiganders to the most recent violence between Palestine and Israel, a "head-tingling" Michigan influencer goes viral with her sounds, and an art exhibition at U-M questions historical conventions about native land grants.